{"product_id":"thee-oh-sees-floating-coffin","title":"Thee Oh Sees - Floating Coffin","description":"\u003cp\u003e\u003cstrong\u003eBlack LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---------------\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe all know the type: prolific bands that commit every loose thought, stray idea and 90-second song fragment to tape. Bands that pay no attention to little inconveniences like “release cycles” or “self-editing,” and instead decide that quantity equals quality, creating a discography more labyrinthine, imposing and—ultimately—exhausting than the cast of creatures in a sci-fi novel. Here is why none of that applies to THEE OH SEES. Because each of the dozen-plus albums they’ve released since 2004 possesses a distinct personality and represents a different point along the path of JOHN DWYER’s slow transformation from auteur of woozy, bare-bones four-track psychedelia to goggle-eyed garage rock marauder backed at long last by a band that both shares and stokes his singular vision. Because drop a needle on any record and—to their great credit—it takes several songs before you’re convinced it’s Thee Oh Sees. The seasick hundred-bottles-of-rum shanty “What the Driven Drink,” from 2007’s delirious Sucks Blood exists in a different galaxy than the rollercoastering “Chem-Farmer” from last year’s Carrion Crawler \/ The Dream; the doomy doo-wop of “Blood on the Deck” hardly seems like the product of the same band that delivered the yelping “Ruby Go Home” in 2009.\u003cbr\u003e\u003c\/p\u003e","brand":"DeathGod Records","offers":[{"title":"Default Title","offer_id":55610510901539,"sku":"jnh1789677444778","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0986\/1516\/5219\/files\/thee-oh-sees---floating-coffin_1.jpg?v=1789677449","url":"https:\/\/lightpackclad.shop\/products\/thee-oh-sees-floating-coffin","provider":"My Store","version":"1.0","type":"link"}